Arrigo Barnabé

AKAMU representation: worldwide + european exclusive
For info and costs please contact Luigi Settala


As a leader:

Clara Crocodilo Orchestra
Arrigo Barnabé - vocals, piano, keyboards, composition
Vânia Bastos & Tetê Espindola - vocals or Lívia Nestrovski & Luisa Toller - vocals
Sergio Albach - conductor
plus a local orchestra performing arrangements of Clara Crocodilo

Tubarões Voadores
Arrigo Barnabé - lead vocals, keyboards, composition and lyrics
Vânia Bastos - vocals
Tonho Penhasco - guitar
Bozzo Barretti - keyboards
Geraldo Vieira - bass
Duda Neves - drums
Paulo Barnabé - percussion

Claras e Crocodilos
Arrigo Barnabé - lead vocals, keyboards, composition and lyrics
Ana Amélia - lead vocals
Phelipe Lewis - trumpet
Sintia Piccin - tenor sax and backing vocals
Paulo Braga - piano and backing vocals
Mário Manga - electric guitar and backing vocals
Ana Karina Sebastião - electric bass and backing vocals
Edu Ribeiro - drums

Arrigo Barnabé Quintet
Arrigo Barnabé - lead vocals, keyboards, composition and lyrics
Ana Amélia - lead vocals
Paulo Braga - piano and backing vocals
Ana Karina Sebastião - electric bass and backing vocals
Edu Ribeiro - drums

Arrigo Barnabé Duo
Arrigo Barnabé - vocals, piano (or keyboards), compositions
Vânia Bastos or Lívia Nestrovski or Tetê Espindola - vocals

Arrigo Barnabé - Paulo Braga
Arrigo Barnabé - keyboards and vocals
Paulo Braga - piano


As a co-leader:

Arrigo Barnabé - Luiz Tatit - Lívia Nestrovski: "De nada mais a algo além"
Arrigo Barnabé - piano and vocals
Luiz Tatit - electric guitar, acoustic guitar and vocals
Lívia Nestrovski - vocals
Mário Manga - electric guitar and backing vocals
Paulo Braga - piano and backing vocals
Pedro Gadelha - electric bass and double bass
Edu Ribeiro - drums
plus a local string trio

«As it is known by who followed the movements of the 1970s to 1980, Arrigo and Tatit are the two key figures of the "Vanguarda Paulista". Both questioned from inside the brazilian song structure in the way they melodize, harmonize and relate lyrics to music. They are in quest of an evolutionary fate of the Brazilian song language, what would be the next step after Bossa Nova and Tropicália».
José Miguel Wisnik - Jornal O Globo (2-8-2014)

 
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